Puss in Boots the Last Wish

 

The year is quickly drawing to a close. The holidays are in full swing.  The weather is cooler to downright cold.  Stress levels are at an all-time high and patience has worn thin.  Aahhh, the perfect time to head to the movies and check out for a couple of hours. With fingers crossed and hopes high to finish my movie year on a high note, I once again grabbed my movie kit and struck out to the theater to see Puss in Boots the Last Wish. 

Getting straight to the point, yes!  Puss in Boots the Last Wish delivers.

Antonio Banderas and Salma Hayek don’t miss a beat in reprising their roles as Puss and Kitty Softpaws and I was down for every moment of it.  Joining the “team” is Harvey Guillen as Perro and he’s a pure delight.  A perfect addition to their dynamic.  This time around Puss and company face off against three antagonistic parties featuring the voice talents of Florence Pugh, Ray Winstone, Samson Kayo, Olivia Colman, John Mulaney, and Wagner Moura in an epic adventure that entertains and thrills from start throughout its entire hour forty-minute run time.

Great character arcs across the board.

Puss in Boots the Last Wish reminds me of Shrek but darker.  This movie has bite.  

The themes and language are mature and relatable, yet still assessable to kids. The skewering of Disney and Disney characters is a hoot, one in particular had me in stitches. Plenty of adult humor complete with bleeps to keep things PG for the kiddos. Puss in Boots the Last Wish contains lots of heart, angst, retrospection, and emotion.  

The animation is stunning.  A fantastic mixture of 3D computer generated graphics that are now the norm combined with highly stylized Into the Spider-Verse animation is beautiful to watch on the big screen. It also adds to the thrill factor in the action scenes bringing frenetic energy that many live action films fail to capture.  I will add that the intensity of the action combined with the darker aspects of the themes/characters may be a bit much for kids under 6.

Puss in Boots the Last Wish is a hard hitting, humorous, fun filled adventure that triumphs in every aspect.  An animated family film that delivers where so many as of late have failed.  Definitely theater worthy and I have this one marked for my personal collection so I can enjoy it again and again.

Puss in Boots the Last Wish gets a 10 from me.

Avatar: The Way of Water

 

After 13 years James Cameron invites us back to theaters to catch us up with former Marine Jake Sully and his family as a familiar threat returns to the extrasolar moon, Pandora. In all honesty I wasn’t overly excited to sit through this 3-hour 12minute of a film.  Don’t get me wrong, 2009s Avatar blew me away visually when it came out and while the story is fine it didn’t leave me clamoring for more with its predictability. I remember figuring out the entire film within the first 15 minutes and was able to recite the accompanying dialogue more often than not. With over a decade to improve technology and film techniques, I expected the visuals to be even more outstanding and worthy of a view. As for the storyline itself I wasn’t necessarily “feeling” the hype to see the newest film, Avatar: The Way of Water. The vagueness of the trailers kept me on the fence right up to an hour before movie time. Yes, I toyed with the idea of just getting a refund and waiting until I could stream this one at home.  

Damn glad I didn’t.

Avatar: The Way of Water is one of those rear sequels that is more of the same in many aspects, yet also manages to be entertainingly different. And better.  Yes, much better than the original.  I’m not sure how Cameron pulled it off, but he did so beautifully. 

Much like Avatar, Avatar: The Way of Water is far from subtle or nuanced in its messaging or morality.  The plot is straight forward and simple. The good guys are practically saintly, and the bad guys are purely, unabashedly evil. Very black and white, little to no shades of gray. The dialogue can be eye-rolling cheesy and pedestrian. Even some of the acting of a couple of the new characters is weak.  

Here’s the thing... 

...None of those matters. 

Avatar: The Way of Water works, nonetheless.  It’s as visually stunning as expected.  I ended up seeing it in 3D and WOW.  Just W-O-W.  There’s one underwater sequence alone where I felt completely submerged in the world of Pandora and its sea life and it was worth the price of admission alone.  But yes, the visuals are spectacular and hold up throughout the entire film.  Slow clap and a chef's kiss for all the artists that once again brought all the colors and textures of Pandora to life.  And the underwater scenes?  Mind blowing!

But TwoW happily delivers more than just pretty pictures.  

The Soundtrack is as rich and dynamic as the visuals.  The action is thrilling to edge of your seat intense. I found myself quite anxious and holding my breath numerous times. The familiar is interwoven with the new world building/expansion seamlessly.  The characterization is meatier and makes for a more compelling story.  The focus of family kept me fully invested in who these people are and what happens to them (for better or worse).  At this point I just have to say, effing kids! Uggh. A phrase that became my personal mantra.  There are also some nice surprises to be had not only in the characters that pop up but in the actors behind them.  

Avatar: The Way of Water is not only worth the 13 year wait, but also definitely worth the trip to your local movie theater.  Yes, it’s a long film (skip the soda and get an Icee), but it certainly didn’t feel like it. My interest never wavered; my eyes never left the screen.  I never regretted seeing this one at the theater. Unlike so many of the highly anticipated, hyped films this year, Avatar: The Way of Water actually delivers an amazing, entertaining movie going experience.  This is a film meant to be seen on the big screen and should be viewed accordingly. Can't emphasize that enough.  Avatar: The Way of Water is good old movie magic and I thank James Cameron for delivering it to us once again.  Like the Na’vi, I see you Cameron and your movie is as badass as feral Neytiri.  

Can’t wait to see the next installment in 2024!

Until then Avatar: The Way of Water gets a 9.5 from me.

Violent Night

Violent Night

It’s the most wonderful time of the year again, or is it?  That’s the crux of Santa’s (David Harbour) existential crisis in the newest entry in edgy Christmas movies, Violent Night. Not being a big fan of the usual touchy feely, saccharine holiday films this seemed right in my wheelhouse.

Admittedly, Violent Night wasn’t entirely what I expected.  It’s billed as a comedy and the trailers really lean into that. However, while comedic, it’s far from the laugh your butt off hilarious romp seemingly advertised. It’s definitely amusing to funny, but a bit of a letdown in that regard.  

Violent Night is also surprisingly more deep, sentimental, and emotional than expected.  Not a bad thing in and of itself, but the lack of follow through left me unsatisfied and wanting more. Getting a glimpse of who Santa was in his former life? Intriguing.  How did he become Santa? How does the magic work? Enough teasing, more answering. Are they saving things for a prequel?  

Harbour is perfectly cast as Santa, so you won't be disappointed. And the scenes with Trudy (Leah Brady) and Santa bring all the feels. Nicely done. Beverly D'Angelo is plain dreadful as Gertrude Lightstone and couldn’t be more fun to watch. The ultimate anti Ellen Griswold. Can you say wicked good!?  There’s no goodness or light to be had in her and I was all for it.  Not to be left out, John Leguizamo also shines as our big bad, Scrooge. The two of them (D’Angelo and Leguizamo) squaring off makes for big entertainment.

Violent Night goes all in on the violence and gore justifying its R rating, so not a film for the squeamish. Think Home Alone the Tarantino style. The action sequences are good, and the holiday flair adds a nice festive and demented touch. 

The pacing can drag here and there, particularly the first half of the film but isn’t terrible.  You feel it but it's bearable. 

When all is said and done, Violent Night works well but isn’t as strong a film as I hoped.  Some of the exposition is labored and most of the secondary characters are cut and paste cutouts that add little to the story.  Fairly predictable and expected, nevertheless a fun watch.

Violent Night gets a 6.5 from me.

Devotion

 

My latest foray to my local movie theater had me checking out Devotion.  Starring Jonathon Majors and Glen Powell, Devotion is inspired by the true story of Jesse Brown (Majors) the first African American U.S. naval aviator during the Korean Conflict. Never having read the book, I didn’t know much about the story going in, but the trailers looked promising.

Devotion has a great cast and contains some thrilling flying sequences, but, as interesting as the subject matter is, I confess the 2-hour 19-minute film came up short and sadly fell flat for me.  

The film, particularly the first half is choppy in pacing and thematically underdeveloped causing the narrative to just lay there more often than not. There's just very little spark and a feeling of lifelessness hangs over the story. 

For a biopic Devotion does very little to delve deeply into the characters or what caused the Korean conflict to be called “America’s Forgotten War”.  Everything is addressed superficially with a few “pops” of insight/connection here and there, but all told the gaps between what actually unfolds on screen and what needs/should is too wide.  Emotionally there’s a disconnect that the film simply can’t overcome and left me wanting /needing more and disappointed.

The second half of the film strives for and succeeds more in making for a compelling story, however, it’s just a case of too little too late.  

Devotion had the potential to be an amazing, engaging film that lives up to its title and give Airmen Brown the recognition he deserves.  Ultimately the ripped straight from a high school textbook narrative approach keeps Devotion firmly grounded in the “It’s not bad, but it’s far from great” category.

Devotion gets a 6 from me.

Strange World

 

With the year quickly coming to a close and the holidays upon us, movie releases are picking up in frequency with no less than three major films hitting the big screen today alone.  I decided to check out the latest family film from Disney, Strange World.

Let me start with a WARNING: If the so called “Woke” agenda of inclusivity, acceptance, tolerance, and existing in harmony with your environment is offensive to you, don’t even bother with this one. You will be upset.

Moving on.

Rock solid animation makes the literal world building next level. Strange World is a visually stunning feast for the eyes.  The colors and creatures are a fantastical and imaginative delight to behold and definitely kept the little ones and adults alike engaged. There were a number of 3 to 4-year olds in the audience I watched with and like the older kiddos, none of them got fussy or appeared bored the entire hour forty-two-minute runtime.

At its core Strange World is a coming-of-age film about family with an emphasis on father/son relationships with an adventurous back drop.  Good humor, mostly geared toward the adult audience and nice action sequences that are thrilling but not too scary for the younger kids.  Think of Strange World as Avatar for kids meets Journey to the Center of the Earth/Up with a dash of.... well, I can’t say what movie without giving the twist of this one away.

Overall, Strange World is a fun and entertaining film.  Enjoyable to watch, likeable characters but nothing unique in terms of theme(s). Still a good option for getting the family out of the house for a couple of hours.  

The audience had fun.

I had fun.

Strange World gets a 7 from me.  

Black Panther: Wakanda Forever

The highly anticipated and somewhat controversial follow up to the 2018 blockbuster Black Panther film Black Panther Wakanda Forever has finally hit the big screen.   I’ve been quite anxious to see this one, both looking forward and dreading seeing it.  I’m still processing this one but here’s my take so far.

In regard to the whole should they or shouldn’t they have recast the roll of T’Challa/Black Panther after the untimely death of Chadwick Boseman in 2020 I’m not even engaging in that noise.  Honestly that besides now being a moot point is/was the Kobayashi Maru test of the MCU.  Didn’t matter which way the decision makers went sadly there was going to be blowback, outrage, and a lot of bitching within in the fandom.  That’s just the nature of things.

Period.

Moving on.

I just wanted a film both worthy of its predecessor and world building.  For my money (and I had little doubt this would be the case) Ryan Coogler has done both masterfully in Wakanda Forever. 

Coogler (the entire production actually) have threaded the needle and delivered a two-hour forty-one-minute saga that pays a beautiful, heartfelt tribute to Boseman and T’Challa without being morose, honors and develops the characters we already know and love, while introducing and expanding the worlds of the MCU in an organic manner that has been rather hit and miss throughout Phase IV.  

Thank you, Ryan Coogler and company.  

Bravo.

Black Panther Wakanda Forever goes beyond the first trailer in terms of tone, thankfully. Yes, I choked up and cried on several occasions, yet there’s also plenty of joy to be had.  A nice blend of laugh-out loud moments. Keep things from getting too sullen often through Dominique Thorne’s Riri.  Loving her and look forward to seeing more of her character, hoping before Avengers: Secret Wars in 2026.  As for the culture not only does Coogler “go there” but slapped hard leaving me snorting with laughter. 

Danai Gurira, Florence Kasumba, Lupita Nyong’o, Winston Duke, Angela Bassett, Letitia Wright, and Martin Freeman reprise their roles and bring all the texture, richness, and character driven action I hoped for.  Newcomers Tenoch Huerta, Michaela Cole, Alex Livinalli, and Mabel Cadena also bring fresh excitement.  

Wakanda Forever delivers on action, cinematography, costumes, direction, and soundtrack.   There’s also some surprises and twists that had me on the edge of my seat as well as a few things that quite frankly pissed me off (all for the good of the movie, but still...).

Black Panther Wakanda Forever has/had big shoes to fill on every level and no doubt haters gonna hate on this one, no surprise there.  Is it a slam dunk perfect 10?  No. But few films are in my book.  However, Panther Wakanda Forever delivers a quality, enjoyable, satisfying movie experience and that’s nothing to take lightly under the best of circumstances.  Given the nearly insurmountable task before it with the unfortunate loss of Chadwick Boseman, such an integral part to the storytelling, makes the fact that Wakanda Forever achieves so much that much more impressive in my book.  I definitely need/want to see this one again and again.  

My immediate response?  Black Panther Wakanda Forever is well worth the effort and needs to be seen on the big screen. 

A solid 8.5 for me.

Oh, as usual, don’t forget to stay for the mid credit scene.  There’s only one, but you know the drill.

Till

Apologies.

This isn’t going to be my “usual” movie review. Instead, I’m just going to offer up a few thoughts/impressions/feelings.

I’m still raw from this one so bear with me.

Going in I was painfully aware of the story of Emmet Till so much so that within the first thirty seconds of seeing the Till trailer the first time I was already teary-eyed and choked with emotion. Barely made it through without full on crying. As a result, I simultaneously didn’t want/needed to see this film. I waffled back and forward on whether to see it at the movie theater or wait and watch at home right up until the movie started. Even then I wasn’t sure I could watch the full 2 hours and 10 minutes.

Not going to lie, Till is a difficult watch. It’s also important, even necessary to do so.

I cried on and off though the entire film. I was overcome with emotion to the point I had trouble breathing. I really wanted to walk out. I didn't though and I'm glad.

Till is a beautiful film, and it hits hard.

Afterwards I found myself needing repeatedly to sit with my “feels” on the way out of the theater. Even with that I still ended up having a much needed ugly/angry cry once I got home and took a shower.

Yeah, it’s that powerful of a film.

It’s also while I felt it important that I saw it in the theater in the first place and watch/experience every single frame of this film. Till is one of those rare films that will undoubtedly stick in my consciousness for some time to come. Perhaps even indefinitely.

Powerful.

Simply powerful.

Danielle Deadwyler delivers a masterful performance as Mamie Till-Morley.

Stories like this need to be told, seen, experienced, and supported. We as people let alone a country need to be reminded just how far we’ve come yet how little we’ve traveled.

I applaud everyone that endeavored to bring Till to the big screen. I also feel rating this one is inappropriate. Just watch this one, or at least try, be it at your local movie theater or when you can watch in the comfort of your own home.

Black Adam

 

The summer movie season is safely in the rearview and fall is upon us ushering in the newest batch of “must see” films.  This week brings the much-anticipated release of the DCEU’s Black Adam, starring Dwayne Johnson.  Let me preface this review with the fact, going in I don’t know Black Adam from blackjack, so my take is based purely on what I saw on the big screen.  If you’re looking for faithfulness to the comics, I can’t help you.  I’m a simple “Rock” fangirl excited by a handful of trailers, featurettes, and interviews that went in with an open mind and crossed fingers for a thrilling movie going experience.

I did mention I’m a fangirl so the prospect of seeing Dwayne Johnson poured into his enhancement free super suit for a couple of hours not only didn’t hurt my feelings but means at a minimum the film is a biased 5 for me.  

No.

I have no shame.  

Where things go from there is definitely more of an objective subjective opinion.

Indeed, where does Black Adam go?

The overall story is a pretty standard origin story.  Predictable and familiar. The flashbacks of ancient Kahndaq are cool, yet reminiscent of The Scorpion King/300. 

That familiarity is an issue that comes up repeatedly throughout the movie.  I want to be fair, but for me various characters, scenes, and settings felt “lifted” straight from other sources, especially from the MCU, and didn’t do much to hide, improve, or expand on them. Time and again I found myself thinking this is nothing more than the DCEU version of this, that, or the other.  Keeping me from completely being immersed in what was happening on the screen as I thought about how I saw that already in X film with Y character. I’m all for recycling but this is lazy and disappointing for something in development for over a decade. 

A sentiment that goes double for some of the dialogue as well, especially in the first half of the film.  Pure, unadulterated trash.

As for the characters, they are a bit hit and miss in terms of development.  Obviously, Black Adam himself gets the most in-depth treatment., However, other key characters fall by the wayside to the point where there isn’t much sense of who they are, what they’re about, or even their point.  All things that would make for a stronger story and really elevate the film. It’s like watching the second film in a trilogy without benefit of seeing the first. 

I’m a bit lost on one of the main characters and how they even end up being key as well as some head scratching over another cool but head scratching cameo. Don’t even get me started on Pierce Brosnan.  They had the poor man looking like and old dude that kept nodding off more than a superhero. 

The writers didn’t seem to put an overabundance of thought, effort, or importance into tying things together and having them make sense.  Perhaps they were counting on everyone having the comic book background knowledge to draw from?  

The action sequences pack a lot of punch (yes pun intended) are a lot of fun and the darker tone of the film adds some flair but get bogged down as the unfold with an overuse of slow motion. The impact gets watered down and feels very cookie cutter. While the violence gets pushed as far as they can with a PG - 13 rating, it can be brutal but not overly gory.  

Good soundtrack.  The humor is sparse, but lands.  Solid visuals and direction.

Black Adam’s pacing gets a little long in the tooth but isn’t too bad.  I never got a full-on case of the wiggles but was feeling a need to wrap things up well before the end. The overall vibe of the movie is also a bit choppy.  It feels like several different films cobbled together because they couldn’t decide what kind of film they wanted to make.  Not great, but I’ve definitely sat through much worse.

When all is said and done Black Adam is okay.  Didn’t love it. It didn’t wow me or blow me away, but I did enjoy it.  I’m definitely interested to see where things go from here, especially given the mid credit sequence tease.  I think it could certainly have been better, but it most definitely could’ve been much worse.  It’s worth checking out on the big screen but isn’t remarkable or highly memorable.  While I’d be hard pressed to pick a favorite part, line, or point out anything in particular that really stood out to me, I’m glad I went.  I also wouldn’t be adverse to seeing Black Adam again.  

I give Black Adam a heavily biased rating of 6.5.

The Woman King

 

It’s been a minute since my last trip to the movie theater, there just hasn’t been anything that sparked my interest.  A sentiment apparently not just my own.  The manager at my theater of choice told me they’ve been opening late in the day since there hasn’t been anything to draw folks in.  I fully expected this to continue to be the case unit at least next month until I stumbled across an Instagram post by Viola Davis for The Woman King about a 19th century elite group of female African warriors.  Real life Dora Milaje, not only starring but also produced by Davis and her husband? No doubt I HAD to see this film.  

The short and sweet of it?  The Woman King is an exceptional movie.

Period.

Superb acting lead by the incomparable Viola Davis is just the start.  

Rising star Thuso Mbedu, Sheila Atim, and Lashana Lynch match Davis’ power, ferocity, humanity, and emotion creating the heart/soul/core of the film.  Their chemistry and interaction are mesmerizing and the solid foundation that the film is built upon.

Dana Stevens and Maria Bello’s script is rock solid and perfectly encapsulates all the strength, warmth, humor, pain, triumph, joy etc. that so many “female” based stories tend to lack and services both the story and actors beautifully. The richness this script has is a true rarity.  

Having Gina Prince-Bythewood (Love and Basketball and The Secret Lives of Bees) in the director's chair is an added bonus. The opening sequence had me glued to the screen and I couldn't look away the entire film. Fair warning, the action sequences are brutal and glorious, completely unwavering in their ferocity. 

The cinematography, musical score, sets, and direction all on point.  The layering elevates the entire viewing experience.

The Woman King is not just 2 hours 15 minutes of Viola Davis and company kicking ass (thought that wouldn’t be a bad thing) it’s a grown up, character driven triumph that transports viewers to pre-colonial Benin in a fresh take on historical war films. I can easily risk over hyping from my own enthusiasm, and risk underselling for fear of saying too much.  So, I say, if you have the slightest interest in this one, just go.  The Woman King needs to be seen/experienced on the big screen.  It has all the feels, powerful messaging, and humanity/community we can all use right now.

The Woman King is a 10.

Bullet Train

 

The new film release that sent me to the movie theater this week was Bullet Train starring Brad Pitt, about a snatch and grab gone horribly wrong...or maybe incredibly right.  I’d been excited to see this one for months and I can report that it didn’t disappoint.

Bullet Train is an outrageous, chaotic, stylized thrill ride from start to finish.  Directed by David Leitch: Fast & Furious Presents: Hobbs and Shaw, Deadpool 2, Atomic Blonde, and John Wick to name a few, Bullet Train is chock-full of heart pumping action, laugh-out-loud humor, surprise cameos, a great soundtrack, and clocks in at 2 hours 6 minutes of solid fun and entertainment.  

Brad Pitt delivers. Far from surprising given his filmography.  Still, I’m hard press to say what’s more fun, watching his performance or seeing how much fun he had giving it. The rock-solid chemistry between Aaron Taylor-Johnson and Brian Tyree Henry steals the show time and again. They are perfectly engaging and surprisingly endearing as The Twins and are definitely a highlight. 

In fact, the entire cast and their performances are great.  

On its surface Bullet Train appears to be a straightforward and simplistic “popcorn” film.  Nothing wrong with that.  However, as the story unfolds, I was delighted to find the film to be more intricate than it seems.  The twists and turns as the puzzle pieces fall into place make for one hell of an awesome ride that had me bouncing in my seat with a huge grin on my face when it all made sense.

Bullet Train is one of those films I can/plan to watch again and again.  It has everything. Great cast/acting, action, heart, drama, and humor.  It’s also violent and quite bloody. A warning for those on the squeamish side. 

I can’t say much more for fear of giving something away.  But I will say that Bullet Train is a ride not to be missed.

I give Bullet Train a  9.5

DC League of Super-Pets

In their fifth and latest collaboration, the dynamic team of Dwayne Johnson and Kevin Hart have gone animated with their bromance in Warner Bros. DC League of Super-Pets. Following the capture of the entire Justice League, Superman’s dog Krypto (Johnson) joins forces with a group of super powered endowed shelter pets lead by Ace (Hart) on a rescue mission. 

DC League of Super-Pets is a fairly cute, straight forward children’s film that’s action-packed, emotional, and overall enjoyable.  While humorous the jokes are a bit of a crap shoot in terms of landing. Many honestly don’t but there are some good chuckles and even laugh-out-loud moments. I found the pacing of the first half of the film a bit slow and the story a bit janky. A roller coaster of being drawn in then things flat lining.  However, I never completely disengaged from the film or became outright bored.    

A large part of that no doubt is a credit to the cast.  

I went for the team of Johnson/Hart, which is once more a successful pairing, but the stand outs for me were Kate McKinnon’s Lulu and Natasha Lyonne’s Merton.  These ladies steal the show for my money. Big props especially among a cast of heavy hitters the likes of John Krasinski, Keanu Reeves, Daveed Diggs, and Alfred Molina to name a few.

The animation is good, reminds me of the “old school” Saturday morning cartoons.  Good soundtrack.  While DC League of Super-Pets isn’t earth shattering with innovations, the film is what you expect, nothing more, nothing less.  Nothing inherently wrong with that. All told a pleasant way to spend an hour and forty-six minutes on a hot summer day. 

I enjoyed this one.  

The kids in the theater enjoyed this one.  

I’m giving DC League of Super-Pets a 7.5.

And yes, least I forget, following the trend in films DC League of Super-Pets has 2 credit scenes. The first mid credits and integral to the film.  The second post credits, possibly integral going forward.  Definitely meta, fun, cross promotional, and a wink and nod to those who know.

 

Nope

 

The latest anticipated summer release this week comes from writer/director/producer Jordan in his third film Nope.  Peele keeping with tradition of playing things close to the vest, meant I wasn’t quite sure what to expect going in, so with an open mind I went to see if the third time was indeed a charm.

From the onset Nope had me shaking my head and wondering what the hell was going on to the point of not even being sure the films’ beginning was part of the films’ beginning. I also admit I’m still a bit muddled on what that whole storyline meant and its connection to the whole but maybe I’m just a bit slow.  More clues and weirdness follow as you begin to piece things together and the unsettling, creep factor builds.  

Nice.

Until it doesn’t.

Nope runs two hours ten minutes total and chugs along nicely for the first half of the first half (make sense?) then I found the pacing takes a dive.  Things slow and drag for a good twenty minutes or so to the point I found myself straight up bored.  Hate to say it, but I was literally saying it as I sat in the theater feeling restless.

Then boom! Peele hits his stride once again; the film takes off and never lets up for the rest of the ride.

Yay!

The cinematography, direction, and visuals of Nope are stunning and create the perfect unsettling, eerie, creepy, thrilling, tension filled movie landscape that had me (as well as the characters) saying “nope”.  For the record I threw in a few “aww hell naws” and a “f this $#@!” as well.  Apologies to Oprah for that one, but I stand by my reaction.

Great casting/acting all around, but it’s Daniel Kaluuya’s OJ, Keke Palmer’s Emerald, and Brandon Perea’s Angel performances that truly make this film a treat. I do wish Michael Wincott featured a little more.  That voice alone is spectacular.

Jordan Peele’s Nope is another original and freshly creative film that blends multiple genres into something exciting to behold. Despite the pacing issue I say it’s well worth a trip to the local movie theater to take a look.  I’m giving Nope a 7.5/8

Additional tidbit for people with kids.  Upon leaving the theater I had a kid of 9 or 10 ask me what I thought of the film. I gave him my take and asked for his.  He informed me he REALLY enjoyed it (so much so that this was his second viewing), he liked EVERYTHING about it, and that Keke Palmer’s Emerald was his absolute favorite.  So, FYI.

Paws of Fury: The Legend of Hank

 

As the summer temperatures continue to sizzle family friendly films are hitting the big screen as an enticement to lure folks back to the theaters.  This week’s offering is Nickelodeon’s animated film, Paws of Fury: The Legend of Hank.  The story of a dog with big dreams of becoming a samurai.  I again ventured to my local theater with high hopes for an entertaining hour thirty-seven-minute viewing experience in air-conditioned comfort to check this one out.

I’ll cut to the chase, the best part of this outing was indeed the AC and to a lesser degree the snacks.  Neither of which was worth leaving home or burning gas for.

The sinking feeling began with the opening short film. I can’t honestly remember the name of this one, but it still has me shaking my head wondering WTF.  It was...bizarre and unsettling at best. I’m not sure what anyone was thinking with it, let alone why it was paired with Paws of Fury, but it definitely set the tone for the lackluster main attraction because once Paws of Fury: The Legend of Hank began, things didn’t get much better.  

Paws of Fury: The Legend of Hank is one of those animated films we get every few years where all the time and money seems to have been spent on assembling a heavy hitting voice cast and little else. 

Billed as an animated remake of Blazing Saddles, with a healthy dose of Kung Fu Panda as well, PoF is more a POS that lacks the charm, originality, or entertainment value of either.  

Slogging through the first half of the film was a joyless and mind-numbing endeavor that felt endless. Fortunately, the second half of the film was much stronger and was a better viewing experience. However, overall, it’s a case of too little too late.

Samuel L Jackson is the best part of this film hands down. This is another Turbo situation. In addition, Kylie Kuioka (Emiko) also breathes much needed life into this story as well.  As for the rest of the cast, there simply isn’t much for them to sink their teeth into. No character development. Little story.  Lots of pop culture references (heavy on all things Mel Brooks), dog and cat puns, and visual gags fell short as all indications is this film is aimed toward a younger audience and it was going over their heads.  Being one of the oldest audience members I chuckled here and there, but the only laugh out loud moment for the entire audience, especially the kiddos, came at the end of the movie.  

Positive messaging throughout while important/great is handled with all the subtlety as a hand grenade in a bowl of oatmeal in its heavy handedness and becomes tedious quickly.  

Paws of Fury: The Legend of Hank doesn’t hold much to warrant a trip to the theater.  The potential was there in the concept but fails in the execution.  This one’s a stream at home at best.  If and when you do, don’t forget to fast forward to the end of the credits for one last tiny scene. The sentiment captures this film perfectly. 

Paws of Fury: The Legend of Hank is a disappointing 3 for me.

Thor: Love and Thunder

Another week is under our belts and with it came the next big summer movie release. Marvel’s Thor: Love and Thunder. My excitement following the success of 2017 Thor: Ragnarök and the return of Taika Waititi as not only director but also co-writer has been palatable as well as guarded. With only an hour fifty-nine-minute runtime, the return of so many established characters, along with the introduction of new storylines, combined with the “late in the game” onslaught trailers, clips, and other hype I was more than a bit fearful we would’ve pretty much seen the entire film before it actually hit the screen.  

Both valid takes as it turns out.

Thor: Love and Thunder is indeed a fun, summer romp of a film that delights in many ways.  The light-hearted to downright silly comedic beats, plenty of expected as well as unexpected call backs, fast paced action, and a storyline with heart at its core for my time and money put Thor: Love and Thunder in the same realm as Thor: Ragnarök.  

Sweet.  

Same realm but not quite the same level, however.

The less is more runtime definitely keeps TLT from hitting the full Ragnarök level of enjoyment.  Not all the comedy is a solid hit, but more importantly the drama and the emotional elements aren’t given the time to sit/breathe making for a less impactful viewing experience that’s emptier than it should be.  

Christian Bale delivers as the “Big Bad”.  I just wish there had been more Gorr to feast upon.  The same can be said for Tessa Thompson’s Valkyrie and Natalie Portman’s Jane Foster/Mighty Thor.  The chance to really delve into and expand on their characters never quite comes to fruition and while seeing them is enjoyable it’s also frustrating as a result. The character development remains only skin deep here. A truly squandered opportunity.

Then there’s Russell Crowe.  I can’t even begin to wrap my head around that one.  Better than his outing as Henry Jekyll in 2017 The Mummy but still...  If nothing else, what the hell was up with that accent?  I’ll leave it at that.

Moving on.

Good visuals.  Strong direction. Then there’s the soundtrack. Ahhh, the soundtrack.  An around the world and back snap for certain.  Guns N’ Roses takes me back, ABBA makes me happy, Mary J. Blige is never wrong. 

Thor: Love and Thunder as a whole is a bit of a mixed bag, not unlike all the Thor films.  Fortunately, there’s more good about it than bad.  

Did I want more from it overall?  Yes.  Did I enjoy seeing it on the big screen?  Yes, again.  Can I recommend you head to the theater to check it out?  Again, I’m going to say yes.  Go for the fun, go for the joy of catching up with the familiar characters and for a glance of seeing where they may head in the future.  Go with the right mind set for a summer movie experience but be sure to stay for the 2 end credit scenes.

Thor: Love and Thunder is a 7.5 for me.

Minions: The Rise of Gru

Ever since they made their film debut back in 2010s Despicable Me, I’ve been a big Minions fan and have looked forward to every iteration with great anticipation and delight. In the follow-up to Minions, Minions: Rise of Gru set in the mid 70s a now 11 3/4-year-old Gru attempts to join the ultimate group of baddies, the Vicious 6, on his quest to become the worlds’ greatest supervillain. I couldn’t wait to be front and center for this latest adventure.

Even with the absence of Pharell Williams, Heitor Pereira goes it alone this outing, the soundtrack is once again bumping, pulls you in from the jump and has you bopping along the entire film.  Yes, plenty of smiles, seat dancing and singing along was done.  I don’t apologize and regret nothing. A note of caution, while not as catchy as say Happy, Diana Ross’ Turn Up the Sunshine encapsulates the 70s vibe perfectly and will get stuck in your head.  

Minions: Rise of Gru is chock-full of call backs, reference, and familiar characters that serve the film well.  Many new characters, save for Otto and Wild Knuckles, sadly get short shrift, consequently, don’t pack much of a punch.  Having the likes of Michelle Yeoh, Jean-Claude Van Damme, Dolph Lundgren, Lucy Lawless, Danny Trejo, and RZA is all well and good, but disappointments that they don’t figure more into the film.  With only an hour twenty-seven-minute runtime, fleshing out these characters for an additional 10 - 15 minutes would really strengthen the overall film.  It would also help tighten up the multiple subplots of the film into a more cohesive whole.

Overall, Minions: Rise of Gru is pretty much what’s to be expected from the franchise.  90 minutes of silly, fun that will get you out of the heat and entertain you.  There’s more nudity (yes, I said nudity) this time around and some of the action may be a tad intense for younger kids, but as long as you go in not expecting a heartfelt, life altering movie experience (Hello? It’s the Minions!) You will be entertained and will leave the theater (only after one small scene at the top of the end credits) with a smile on your face.  

Minions: Rise of Gru is a fun summer ride and gets a 7.5 from me.

Lightyear

 

Twenty-seven years, yes, twenty-seven, after the release of Toy Story, Disney/Pixar has brought Buzz Lightyear back to the big screen in the “real life” story of the man, the myth, the legend himself in Lightyear. To be clear, this is NOT your childhood’s version of the popular character.  In fact, if you haven’t already checked out the Beyond Infinity Buzz and the Journey to Lightyear thirty-six-minute documentary on Disney+, I highly recommend you do so. I feel it important to emphasize this as it has a major impact on the film. 

Lightyear is a darker, more mature, grittier film than any of the Toy Story films. Think more along the lines of Up in terms of tone and content.  Less whimsical and more realistic. Something to keep in mind when viewing, so much so, while billed as the movie that Andy watched that made him want the Buzz toy so badly, Lightyear comes across more like the documentary of the man that inspired the film Andy loved more than the actual film he saw.  Got it?  If you do than you’ll be in the correct mind set for what takes place in Lightyear.

On to the actual film.

Disney/Pixar once again out does itself with the visuals.  Absolutely stunning and a treat for the eyes. Attention to detail, textured, and the lighting is off the charts with this one as well. Good action sequences, some get a bit intense, but the kiddos in the audience didn’t seem to have issue with them.

The story itself is rather simple and straightforward, pacing is good, and the voice acting, again, top notch. Chris Evans’ Buzz works perfectly in this iteration of the character and while yes, I missed Tim Allen, I had no problems overall buying in and enjoying his performance. That’s not to say that I was also frustrated and annoyed with the character (I didn’t have an outburst but yeah, Buzz was pissing me off) as well.  That’s more of a writing/characterization issue than an acting one.   While Keke Palmer, Taika Waititi, Dale Soules, and Uzo Aduba bring their A games as well their characters didn’t quite light up the screen. They’re fine, but don't pack much of a punch.

Not gonna lie, for me, when all is said and done, Lightyear is all about Peter Sohn’s SOX.  Think Rhino from Bolt. This scene stealer brings the joy, humor, and relatability/likeability that’s largely missing from the film.  I’m going to tell you right now, parents, go ahead and get your SOX toys now for Christmas.

Did Lightyear knock my socks (no pun intended)?  Not entirely, but it’s definitely a solid and enjoyable film. I was never bored, but never "wowed" either. It’s charming, emotional, and entertaining, but falls a bit flat overall.  There’s a certain lack of spark or “magic” to really stick the landing.  This goes back to the disconnect between what’s actually on the screen and the action/adventure Space Ranger that would make a 9-year-old (let alone the rest of the world) want a Buzz Lightyear.  A divide I’m sure will be closed in a sequel. I'm sure there will be a sequel and I'm down for it.

Lightyear gets a 7 from me.

Oh, yes.  Again, I warn you not to leave the theater immediately.  There are 3 credit scenes (top, mid, and post) in this one.  

Jurassic World Dominion

 

The summer box office continues to heat up with this weeks’ release of Jurassic World Dominion, the sixth and final installment of the popular movie franchise based on Michael Crichton’s novels.  Twenty-nine years after Jurassic Park, dinosaurs are living and hunting alongside humans taxing the fragile balance of nature all over the world.  Well, that’s what we’re led to believe is the setup for Jurassic World Dominion, however, the movie we actually get is an altogether different beast.

Jurassic World Dominion is essentially two different films with the original trio of Sam Neil (Alan Grant), Ellie Sattler (Laura Dern), and Jeff Goldblum (Ian Malcolm) reuniting in one story (the more interesting of the two in my opinion) and Chris Pratt (Owen Grady) and Bryce Dallas Howard (Claire Dearing) picking up and continuing their story from Jurassic World Fallen Kingdom.  Eventually the two stories meet and everything is brought to a conclusion.  

Sadly, the conclusion, as well as the ride leading up to it is far from spectacular or overall satisfying.

The pacing in Jurassic World Dominion is clunky and uneven, particularly in the beginning.  Many of the themes are heavy handed and preachy to the point of making you feel you’re sitting in a lecture hall.  Oddly enough, Ian’s actual lecture in the film is more entertaining and thought provoking than the bludgeoning messaging throughout the rest of the film.  The call backs to previous films in many cases are stale.  With the exception of the original Big Three, the returning characters are lifeless (in Pratt’s case the film plays more like a contractual obligation) and uninspired.  BD Wong’s Dr. Wu takes an unexpected turn and the resolution of his story line feels unearned. New characters aren’t fleshed out and act more as props to get from point a to point b than characters.   

Worse still, Jurassic World Dominion, is a dinosaur movie that has little to do with dinosaurs.  Again, Goldblum’s Ian says it best when he goes off on the seduction of dinos excusing what’s going on.  A note that the writers should of taken when sussing out the story.  Dinosaurs are freely living among humans, what’s that like?  Dunno, it’s glossed over save for a few references. I mean at one point in this 2 hour 26 minute film you go a good half hour to forty minutes without seeing or hearing ANYTHING about the dinosaurs.  

Serious bait and switch as well as a major disappointment.

The biggest saving grace of Dominion is the legacy characters, especially Goldblum’s Ian. The wit, charm, and humor is classic. All three actors seem to be having a blast and it shows and you feel it ever time they’re on screen.  When you get the dinosaurs they look amazing.  These bad boys never fail to delight. 

All told Jurassic World Dominion looks great, has some shining moments, but ultimately is lifeless.  If this is what the franchise has to offer, it’s time to let it go the way of actual dinosaurs. 

Jurassic World Dominion gets a disappointing 5 from me.

The Bob's Burger Movie

The Belchers clan has joined the ranks of The Simpsons and the South Park gang and made the leap from the small to the big screen. As a Bob’s Burgers fan, I’ve been looking forward to this latest adventure and was a bit surprised, yet not disappointed.

The Bob’s Burgers Movie is a glorified extended episode of the popular television series and that’s what makes it work. The gang doesn’t fall into typical television to big screen gimmicks. Staying true to its television roots in every way that matters, but the expanded scope allows this musical, murder, mystery to breathe and entertain organically. 

Staying largely with the main characters and locations from the show we’re treated to an entertaining Bob’s Burgers experience that is sure to delight fans.  

On that note, I can’t really say how non-fans will react to this one.  It may play well, or it may not. Lack of familiarity may possibly detract from the viewing experience.  I can’t say for sure though.  With the film being as well written and acted, that may not even be an issue.

 The Bob’s Burgers Movie is exciting, funny, thrilling, quirky and one-hour forty-two minutes well spent. Escapism at its best.  

But, once again, don’t leave too soon.  There’s a cute bonus scene after the credits.

The Bob’s Burgers Movie is a solid 9 from me.

 

Top Gun: Maverick

 

After 36 years, Tom Cruise returns in one of his most iconic rolls in an effort to satiate our need for speed. Straight to the point. It’s hard enough to get a hit film, putting together a sequel that equals let alone surpasses the original is harder still. Cruise and company (Jerry Bruckheimer produces again but also credits former partner Don Simpson who died in 1996)  have done precisely that in Top Gun: Maverick.

Want nostalgia? Got it!  

Well timed humor? Check! 

Amazing practical visual effects? Double check! The submersive cockpit camera is over the top. Tossing aside the green screen pays major dividends.

Top Gun: Maverick is a perfect blending of the original, from music, characters, and various call back/parallels and the next generation of Naval aviators.  From beginning to end this film is a heart pumping thrill ride that keeps you on the edge of your seat combined with a high stakes storyline filled with surprisingly emotional depth, heart, and relevance.  

Incredible direction, stellar pacing, fantastic acting, extraordinary cinematography and sound, TGM is a 2-hour 11-minute triumph.  Top Gun: Maverick  has enough heart and soul for two films and satisfies in EVERY possible aspect.  So, dust off your Ray Ban Aviators, hit the highway to the danger zone and check out Top Gun: Maverick on the big screen the way it’s intended.  You won’t be disappointed.

Top Gun: Maverick is a full throttle mach10 film experience not to be missed.

Doctor Strange in the Multiverse of Madness

 

Let’s start with a little bookkeeping as it were.  I don’t know about other countries, but here in the US do yourself a favor and make sure you’re in your seat and settled down by the time the trailers start (never ceases to amaze me the number of people that miss the trailers coming in late).  Why? Going by Cinemark’s showings, trust me.  You DON’T want to miss the exclusive first look on the big screen of Top Gun Maverick.  My need for speed watching it took every ounce of restraint I could muster not to scream with excitement and stay in my seat.  So glad I’ve already got my ticket.  Second, in addition to many of the trailers you can currently see on my page we get to see the official first trailer for Avatar: The Way of Water.  Not a great deal of info in terms of story, but visually it looks stunning.  

Moving on.

Doctor Strange in the Multiverse of Madness doesn’t mess around.  You’re thrown into the story as soon as the Marvel open finishes playing.  So it’s an immediate snap to attention with the who, what, where, and whys of the film.  A bit of a shock, but thankfully so.  Given the magnitude of what the film is supposed to do both in and of itself as well as the MCU overall, I’ve been anxious about the mere two-hour and six-minute running time.  It seems like a short time to accomplish its goals and also be entertaining.  I admit sitting in the theater, DSitMoM  feels longer than a couple of hours.   Happily in this case that’s a good thing.  The film felt neither rushed nor lagged.  

Good pacing throughout. 

Lots of action-packed moments from start to finish expertly interwoven with character development and exposition keeps the film moving and engaging.

Doctor Strange in the Multiverse of Madness also does something that Marvel does best.  Bringing back actors/characters from previous outings (love seeing not only primaries but also second and even third tier folks return) for continuity but also in new and exciting ways as well. Plus bringing in new characters that serve/enrich the story and get to shine even if they don’t last long. I do feel a bit short changed on Xochitl Gomez’s American Chavez character/back story although I’m sure moving forward that will be rectified. And of course there are also others that I’m excited will no doubt be seen again as well. Again, an impressive balancing act of making sure characters film don’t come off as throwaways and nothing more.

Another thumbs up for rewarding those of us that are current in our Marvel viewings without making the inaccessible to those that aren’t.  So yes, if you’ve seen WandaVision, What If..., Loki, and Spider-Man: No Way Home in addition to the Phase I - III Marvel films, you’re definitely going to be rewarded.  If you haven’t, why not?  Seriously, why?  But still, no worries, you won’t be left in the dark.

Speaking of dark, for those that feel Marvel films aren’t dark enough, here ya go.  Having Sam Raimi as director pays off in my book.  Marvel has done a wonderful job letting its films/shows have their own individual style, tone, and “feel”.  One of the strongest aspects in their productions.  Doctor Strange in the Multiverse of Madness definitely feels like a Sam Raimi production and has its own unique flavor. Heavy on the horror and easily one of the most violent of the MCU films, it’s The Evil Dead meets Doctor Strange, and it works.  While this won’t play for some, meaning Doctor Strange in the Multiverse of Madness won’t necessarily be a fan favorite, I’m glad to say I was one of the many in the theater cheering, ooohing, aaaahing, and ewwwwing.  

Dark, creepy, and fun with a superhero twist!

Not surprisingly fantastic visual effects, wonderful acting, terrific Danny Elfman score, a nice smattering of humor.  There’s a ton of stuff to unpack in this film so I’m sure that future repeat viewings as well as time to “sit” with the film will color my perceptions, but as of now Doctor Strange in the Multiverse of Madness does an amazing job thrilling, entertaining, and packs an emotional punch I found lacking in Spider-Man: No Way Home for instance.  

Sam Raimi and company hit their mark.

It’s a 9.5 from me.

And yes, there are two credit scenes in the film.  For those with small bladders or didn’t pace yourself for the trailers and credits, hold it long enough to see the first scene at least.

The Unbearable Weight of Massive Talent

 

Nicolas Cage is back, not that he went anywhere, in the new film The Unbearable Weight of Massive Talent.  I don’t feel I can say much about this one without spoiling the fun, so I’ll keep it short and sweet.

The more familiar you are with Cage’s work specifically and pop culture in general, the more over-the-top and joyful the ride.  Not as familiar or a big fan?  No worries, you’re still in for a treat.  TUWoMT  Is laugh-out-loud funny. Downright ridiculous at times. Sweet and endearing. Highly entertaining. Watching Cage do “his thang” in this one is a joy to behold.   

Not for nothing having Pedro Pascal in the mix kicks things up a level.  Pascal is more than capable of going toe to toe with Cage, more than holds his own in every scene and the two of them together create the dynamic duo that I didn’t know I needed and left me wanting more. Their chemistry is fire.

Tiffany Haddish, Ike Barinholtz, and Neil Patrick Harris make notable appearances but it’s Cage/Pascal that drive this one all the way.  As such, the beginning of the movie is a little slow but once Pascal enters the picture the story hits the gas and doesn’t let up.

The Unbearable Weight of Massive Talent is one of those films that I enjoyed from the jump but will no doubt enjoy even more the longer I sit with it (and with repeated viewings).

The Unbearable Weight of Massive Talent is a solid 8.

Fantastic Beasts: The Secrets of Dumbledore

After three and a half years, behind the scenes drama and controversy, recasting and speculation the Wizarding World returns to the big screen in the third installment of the Fantastic Beasts franchise. As a self-proclaimed Potterhead I scored my ticket first day of sell and jumped at the chance to see this one early. 

I’ll make this one short.

Fantastic Beasts: The Secrets of Dumbledore contains all the high production value to be expected of these films.  The CGI, costumes, set decorations, cinematography, SFX work all stunning.  The films’ score soars and contains all the nostalgia of the original films.  Solid performances from favorite actors/characters as well as new ones. Locales return and connect the stories, and the setups from the first two films are resolved.  

Great, right?  Uh, not quite.

FBSoD is one of those odd films that on paper and at first blush should be thoroughly engaging, entertaining, and forgive the pun, a magical 2-hour 22-minute epic ride.   However, sadly I found that not to be the case.  With so many things going for it FBSoD somehow fails to deliver a movie worthy of the sum of its parts.  

All the elements are there, yet I found the film boring and far from exciting to the point of nearly drifting off a few times.  I got fidgety waiting for the film to kick into high gear and it never did.

There are bits and pieces that pay/play well but the gaps between are noticeable.  The overall narrative is messy and jumbled, needing more laser focus.  The film feels less like a fantastical wizarding adventure and more like a political wizarding campaign.

Fantastic Beasts: The Secrets of Dumbledore is like one of those meals you have at a restaurant that looks amazing, sates your hunger, yet leaves you far from satisfied.  

Definitely needs more oregano.

While not the film I wished for or that we deserve, Fantastic Beasts: The Secrets of Dumbledore still has its charm and definitely builds upon our knowledge of the Wizarding World.  Overall, it’s not great, but it’s far from a failure either.  

Fantastic Beasts: The Secrets of Dumbledore gets a 5. 

Sonic the Hedgehog 2

 

Admittedly Sonic the Hedgehog 2 is a bit of an outlier for me given my non-gamer status.  Yes, I have a vague awareness of the game/character but that’s about it.  So, why did I feel a need to go to the theater to see this film?  

When 2020's original Sonic the Hedgehog was being promoted, I did some major eye rolling to outright scoffing on why it was being made as well as why folks were up in arms about the character’s original first look.  The movie dropped, people seemed to like it, but pfft, whatever.  Then a couple months back I had one of those nights when I was looking for something to watch and just wasn’t in the mood for anything I already had in various queues.  Completely dissatisfied with my options when I ran across StH and possessing zero knowledge of what was in store, I decided what the heck and watched the “stupid looking movie”.  Yep, I was drawn in, surprisingly, and thoroughly entertained by the film and was left wanting more.  Hence my interest in seeing the sequel on the big screen this time around.

First, I enjoyed the heck out of this film.  It’s 2 hours and 2 minutes of pure fun, heart, and entertainment.  The soundtrack alone is enough to make you happy (yep, seat dancing alert).  But, that’s not even the best part.  Sonic the Hedgehog 2 is bigger, louder, sillier, more heartwarming, and more engaging than the original.  A gem of a sequel that does the rare trick of giving you all the things you loved in the original, expands and improves on them and delivers an even better movie going experience.

With that being said, the second thing you need to know, S2 picks up right where the first film ends and continues the story, so you really need to see the first movie to have a clue on what’s going on.

Third, the return of all the key cast members is a delight and really grounds the continuation of the story.  Natasha Rothwell’s Rachel slays me once again, hard.  And Lee Majdoub’s sycophant Agent Stone best brown noser ever.  Of course, Jim Carrey’s over-the-top Robotnik is a blast. James Marsden’s Tom and Tika Sumpter’s Maddie are as adorable, loving, patient, and understanding as ever. Shout out to Shemar Moore cause damn, it's Shemar Moore.

While the humans are great, S2 places the spotlight squarely on the CGI game characters this go round.  Sonic is still Sonic. New cast/characters of Knuckles (Idris Elba) and Tails (Colleen O’Shaughnessey) are a great addition and kick things up a notch or two in this adventurous, goofy tale of friendship, family fleshing the story out and going deeper and a bit darker. 

Sonic the Hedgehog 2 is action packed fun and entertainment from start to finish.  If the audience I saw it with is any indication it slaps hard with kids and adults, gamers and non-gamers alike.  A family film that the entire family will actually enjoy.  And why not enjoy it on the big screen? Definitely worth a trip to the theater.  As always, a warning, don’t bolt right away and miss the credit scene, it had kids literally screaming with excitement. Definitely a film to watch again and again.

I’ve gotta give Sonic the Hedgehog 2 props.  

It’s a 9.5 from this non-gamer. 

  

Morbius

After countless delays and pushed back premiere dates, Morbius has finally hit the big screen, sadly without much interest or fanfare.  Even worse, without many favorable reviews from critics.  I was having second thoughts about going, but I had purchased my ticket a few weeks back.  After all, for me an opportunity to take in a new Marvel film in the theater isn’t something to bypass lightly.  Not really knowing what I was in for, I grabbed my movie bag and venture to my favorite theater to see what’s what.

Other than the few trailers I’d seen beforehand, I went into Morbius cold, never having read any of the comics and being completely unfamiliar with the character. I can’t say anything about how the film holds up to “canon” as a result.  I can say that Morbius the film is a straight up origins film and for my time and money a fairly solid one at that.  I’ve definitely seen much worse.

While there’s no deep dive into the character of Michael Morbius but we’re given enough info (though some of it’s vague) as to who he is, his motivations, and the type of person he is to make the film work.  Morbius is heavily CGI, most of it well executed and effective, there is some overuse as well that becomes campy, but again nothing that’s a detriment to the overall film viewing experience.  The same holds true with the prosthetics as well, particularly in the case of Matt Smith’s Milo (there a couple of scenes that made me laugh-out-loud when I shouldn’t have).  

Morbius is stunningly atmospheric and has plenty of good action, nice touches of humor, and humanity.  A strong cast does there best and gives it there all to their credit.  Due to the runtime of an hour fort-four minutes the character development is limited but leaves enough of an impression to want to see where they go next. The ending is also anticlimactic as a result as well. Quite abrupt to say the least.

Predictability/formulaic is also present, yet the film remains interesting and entertaining nonetheless.  It’s also clear that given the subject/plot that an R-Rated film would’ve been a better choice for this one than going the PG-13 route.  Tempering the blood and violence to get the more kid friendly rating definitely impacted the handling of the film and toning it down didn’t do anyone any favors.

From my viewpoint, Morbius isn’t the greatest but it most certainly isn’t the worse either.  I was intrigued, never bored, an entertained the entire film.  Yes, there are questions I have and holes that I want filled but I’m glad I went and saw it on the big screen.  I most certainly want to see what’s next for the characters/franchise as well. Do you NEED to see this one at the theater?  No, waiting for a home viewing will probably work just as well.  But, if you WANT to see it on the big screen, I say go for it.  It’s a fun little popcorn flick that doesn’t deserve the haterade being thrown at it in my opinion.  

Morbius gets a 7 from me.  

Oh, don’t bolt right away, you get a couple of credit scenes.

 

 Thank you!

The Lost City (2022)

I’ve mentioned before I’m not a big “chick flick” rom com kinda gal by nature.  In terms of romance novels, pfft even less so (the few I’ve read I’ve done so as comedies through and through). However, I am a big Sandra Bullock fan, have been for ages, and couldn’t pass up the opportunity to see my girl back up on the big screen where she belongs.  Yes, I’ve enjoyed seeing her tear it up the last few years in various streaming endeavors (personally I don’t buy into her whole Netflix is the only reason she still has a career thing) but.. anywho, Bullock + Big Screen = 4evr for me!

Moving on.

In The Lost City (2022) Bullock plays a reclusive, broken-hearted romance novelist that gets kidnaped during a book tour and swept up in a jungle adventure with her cover model Channing Tatum.  TLC is part Raiders of the Lost Ark, Romancing the Stone, and Baywatch to name a few all mixed together with an over-the-top sense of self-awareness and a banging soundtrack.  Yep, there will be seat dancing.

In short, The Lost City is good stupid fun. 

While not as hilarious as The Proposal or endearing as While You Were Sleeping, The Lost City is funny, sweet, and charming in its own right.  I snickered, giggled, and laughed-out-loud start to finish. Thoroughly enjoyed the characters, Tatum’s plays the clueless but loveable idiot brilliantly. Daniel Radcliffe’s unhinged, billionaire baddie is pure over-the-top fun.  Da’Vine Joy Randolph’s put upon, stressed out, BFF delights.  And then there’s Brad Pitt’s Jack Trainer. OMG, I can’t even with this one.  The proverbial cherry on top is of course Bullock’s doing what she does best.  That special blend of sweetness, awkwardness, sarcasm, charm, and je ne sais quoi, *chef’s kiss*.

The Lost City is a solid, throwback rom-com, action adventure that’s comforting and nostalgic in its familiarity, has enough twists and surprises to keep it fresh and engaging, and offers up an entertaining movie experience.  Be it at the theater now or watching at home later, The Lost City is a pleasant way to spend a couple of hours.  

As always, your heads up not to bolt at the start of the credits, there’s a bonus scene that’s sure to bring a smile to your face and tops off the film wonderfully.

The Lost City is a 7.5

The Adam Project (Netflix)

Streaming Edition

The new dynamic duo of Shawn Levy and Ryan Reynolds have struck gold for the second time in a row with their new film, The Adam Project.  A heartwarming/heartbreaking character driven film about love, loss, and family wrapped neatly in a sci-fi time travel adventure bun.

Reynolds once again brings his sardonic, quick-witted comedic chops to the fore to great effect. Adding to the fun is Walker Scobell who plays the obnoxious 12-year-old version of Big Adam (Reynolds) to perfection.  Swinging between moments where you want to punch this kid in the face, HARD, and repeatedly, and wrap him in a warm embrace effortlessly, Scobell shines.  Bravo on the balance. Rounding out the cast and pulling on the old heartstrings are the incomparable Jennifer Garner, Mark Ruffalo, and Zoe Saldana as Adam’s family with a delightfully wicked Catherine Keener as our “big bad”.  

My one complaint is with a running time of an hour forty-six minutes we don’t get to spend enough time with this wonderful cast of characters and the overall catalyst of the things in 2050 are vague to say the least.   But focusing on the Big Adam/Young Adam dynamic isn’t a bad trade off.  I’m just being greedy and wanted more.  Not a bad thing in a movie.

The Adam Project is humorous and gut wrenching with a fair amount of action to round things out. The music bumps, the CGI solid, direction and cinematography clear and on point.  For those not really into sci-fi (gasp, swoon) no worries, The Adam Project is more sci-fi lite with more focus on character than a deep dive into understanding time travel theories. You’ll definitely laugh and just as likely to cry so have some tissues at the ready.  

Entertaining, emotional, and relatable The Adam Project is definitely worth giving a watch.  Or two...

The Adam Project gets a 9 from me. 

Turning Red

 Streaming Edition

I initially wasn’t planning on writing a review for this one (feeling lazy) but hours after watching it’s still on my mind, so I figured I need to jot a few things down.

Turning Red is the latest animated coming of age Disney/Pixar film about 13-year-old Meilin who turns into a giant red panda when she gets too excited.  An unexpected trait that proves more than a little inconvenient during puberty.  The trailers looked cute and being an animation fan, I was really excited to see this one on the big screen.  So, I was more than disappointed when Disney pulled it from theaters and decided on a streaming only release.  Nonetheless, I had to check it out.

I admit going the streaming route may have been the right choice for this one, at least for me.  Home viewing meant I was free to spend the hour forty minutes screaming at the television at each “oh $#@!” moment (of which there are quite a few), groaning in horror, and absolutely roaring with laughter without disturbing anyone else. Seriously, this film pulled me in and had me fully invested.

I’m well on the other side of 13, but Turning Red captures all the anguish, mess, and general mayhem of that time in life, especially a girl’s, perfectly.  Emotionally it took me back in the most delightful way imaginable, tears and all.  And that’s really saying something.  

Turning Red is a tad clunky at the beginning, but quickly finds it’s groove and fires on all cylinders after the ten to 15 minutes and never stops.  Depending on your views Turning Red may not be as universal as other Disney/Pixar films as far as appeal.  Younger kids may get bored quickly and depending on their sensitivity level even scared.  There are some rather intense scenes in the film particularly during the finale.  Boys may not really care for this one as much either given the female focus of the film but who’s to say.  The mother/daughter dynamic may also trigger some as well. Ahh, mothers and daughters!

Heartwarming, funny, poignant, beautiful, meaningful and entertaining. Turning Red strikes all the right chords figuratively as well as literally.  Wonderful voice acting, beautiful animation, and strong messaging make this another winner in my book. 

I'll definitely be watching this one again and again.

Turning Red is a 9.5 for me.

The Batman (2022)

I’ve made no secret to the fact that DC films have been extremely hit and miss with me over the last decade plus.  2016's Batman vs Superman: The Dawn of Justice to this day remains the superhero/comic book film nadir.  As for Robert Pattinson, until his turns in 2020's The Devil All the Time and Tenet, ambivalence is the most accurate feeling I’ve had about him as an actor. The mixture of these elements in my mind didn’t bode well for The Batman yet hope springs eternal so I still found myself excited enough to jump at the chance to see the movie early at a fan event. Swag in hand, properly bundled up, and with a solid plan for pacing my drink consumption, I settled in for the 2-hour 56-minute Matt Reeves (writer/director) reimagined/rebooted Batman saga.

Bottom line.  Yes.  

The Batman is far superior to the most recent Batman films and does a fantastic job taking the Affleck stank off the character.  Sorry Ben, you’re awesome, but your take on Batman did nothing but hurt me in ways I have yet to recover from.

Pattinson, however, nails this version of Batman wonderfully.  You get the dark, brooding, anger as well as the serious butt kicking, but you also get the gullibility, naivety, desperation and even dare I say?  Touch of stupidity of the Caped Crusader a mere two years into his journey.  This stripped down, back to basics, DIY Batman/Bruce Wayne goes deeper, brings more to the character, and happily brings back the “oomph” missing since Christian Bale vacated the role.  Batman is once again a flawed, tortured human being that engages, entertains, and even amuses instead of some chronically constipated animatronic suit. Thank you, Robert Pattinson, for making me give a damn about Batman once again.

Not for nothing, but the casting throughout the film is great.  Zoe Kravitz’s Selina Kyle is smart, brash, sexy, and complete badass without the cheese factor that’s commonly attached to the character.  A modern-day Cat Woman please and thank you.  Jeffrey Wright (a bit underused perhaps) makes an honorable James Gordon. Andy Serkis establishes himself as a proper heir to the Alfred throne.  Colin Farrell is as unrecognizable as he is delightful as Oz.  Paul Dano?  Crazy, creepy, excellence. John Turturro thank you for reminding me how much I like you as an actor.

Another relief this go around is not only NOT having to watch poor Thomas and Martha Wayne bite the dust again (hmmm, a little Marvel influence perhaps?), but an interesting twist to their overall story serves as the catalyst for the film’s plot.  Also having Wayne Manor actually in Gotham proper adds a nice touch and works well.  

The Batman score/soundtrack is terrific. Nirvana’s Something in the Way, absolute perfection every time.  The cinematography is stunning.  There are several scenes that are beyond gorgeous and not only brought a smile to my face just witnessing them but a tear to my eye.  And yes, the film is dark (shocking, not) tonally as well as literally, but for once I never felt I was suddenly listening to a radio program instead of watching a movie!  Huzzah!  Also having some light to even amusing moments keeps The Batman from being an epic depressive episode.  A blessing for sure.

A near three hour run time is a bit too long.  The pacing, especially the first half lags on and off. As for the last half of the film, there are a couple of moments you think you’re done, but you’re not. Fortunately, neither of these are a complete detriment to the film.  I never got bored or pulled out of the film completely, but felt the drags, nonetheless.

Bottom line?  The Batman has come through and delivered a widely engaging and entertaining film that has me once again excited about DC and the prospects of their upcoming films.  Well worth the trip to your local theater and the price of admission from my standpoint.  Glad I went, look forward to seeing it again, and seeing where the franchise goes next. Also yes, there’s one tiny little post credit scene at the very end of the film.  It’s nothing crucial and pretty predictable so stay or don’t.  The choice is really up to you and your bladder.

The Batman 9.5