Movie Review: Aladdin (2019)
To say I’ve been feeling iffy and nervous about this
live-action version of Aladdin doesn’t
begin to express my anxiety over seeing this film. Like most, it goes without saying I LOVE the
now classic animated version of the film featuring the late Robin Williams in
the roll of Genie. It also goes without
saying that the comparisons to the original, in particular to Williams, are
inevitable. As such, my initial knee
jerk response was “Why mess with perfection?”! No sooner had I decided to opt
out on this one than I began thinking of the live versions of The Jungle Book, Maleficent, and Beauty and the Beast which I love.
Hmmm, I see the great possibilities… However,
the possibility of yet another live-action turd like Cinderella, The Nutcracker and the Four Realms, and Dumbo,
combined with the trailers, brought me back to a resounding no. I’ve been going
back and forth like that for months now.
Yes or no? The hope of Aladdin falling into the first category
of great live-action film versions and/or possibly being a glutton for
punishment has me rolling the dice, saying yes, and hitting the theater.
DISCLAMIER: I am a Disney stockholder. The following review is based solely on the
merits/faults of the current film without regard to the 1992 animated film.
Let’s do this!
WHEW. It’s with an
enormous sigh of relief I can safely proclaim, YES! Disney got this one right! Hallelujah!
In addition to a solidly written screenplay, Guy Ritchie’s
direction captures the very essence of Agrabah and brings the story of Aladdin to life on the big screen. The colors, textures, sets, costumes, and
cinematography are simply perfection. I was
drawn into this world from the very beginning and swept up in the story to the
very end. There are scenes where you
feel you’re a part of the story and can practically smell and feel the
surrounds they’re so vivid.
Alan Menken and Tim Rice return, capture, rework, and even
elevate the musical score for today’s audience.
Pure delight. Yes, I was the
obnoxious woman singing under my breath and dancing in my seat the entire
movie. I couldn’t help myself. The nostalgia is definitely there, but the
small tweaks and the stunning choreography couldn’t be denied. Crowd pleasing through and through. So much so, yes, you’ll be singing all the
way home and good luck getting the songs out of your head. The added bonus of a new song Speechless is as beautiful as it is
powerful. Plays wonderfully to the movie
as a whole and underscores the character of Jasmine to perfection.
The musical numbers of Friend
Like Me and Prince Ali are well worth the price of
admission alone. The former had kids
singing and dancing all the way to the parking lot and the latter is such a jaw
dropping spectacle to behold it’s breathtaking.
I hear tale they used over a thousand extras to capture the grandeur of Prince
Ali’s grand arrival in Agrabah.
The cast/acting. With
the exception of my man Alan Tudyk (Disney loves him!) and Will Smith, I’m largely
unfamiliar with the cast.
Mena Massoud (Tom Clancy’s Jack Ryan TV series) does an
admirable job as Aladdin. Completely
bought into him as the character, was impressed by his physicality and dance
moves (he claims he didn’t know how to dance before landing the part, making it
all the more impressive). I did find his
singing voice a bit on the weak side here and there (again he never sang until
training for the part), however, it wasn’t enough to detract too much from the
film.
Naomi Scott’s (Power
Rangers) rendition of Princess Jasmine is spot on. She does a fine job of inhabiting the
character and expanding on it. Her
singing voice is great, and I loved what she does with Speechless. Her being a professional singer as well as actor pays
off in spades. Marwan Kenzari has for me
his strongest performance to date as Jafar (although they could’ve pushed the villainy
aspect a bit more, but hey, it’s Disney).
Apparently, I’ve seen him before in Murder on the Orient Express and The
Mummy (2017), neither film making a lasting impression upon me beyond
disappointment and outright haterade respectively.
Then there’s Will Smith.
The proverbial elephant in the room. Obviously,
his take on Genie was crucial in the make or break of the film. This was the one I was sweating over. Again, looking strictly at what I was seeing
on the screen in this version of Aladdin,
Smith nails it. I had no problems,
kicking back in my lounger and going for the incredible ride Smith/Genie takes
us on. Knowing he had big pointy shoes
to fill, Smith did an exceptional job paying homage to his predecessor yet
making the character his own. Smart move
and it pays dividends. His performance is funny, manic (but not too over the
top), sweet, emotional, and just a joy to watch. I even didn’t mind him being blue half the
time.
The trailers for Aladdin really do this film an
injustice. Guy Ritchie and company have
made a smart retelling of a beloved classic.
They’ve smartly avoided the exact replication of the original, have kept
many original elements and mixed in some new for a perfect blend of nostalgia and
freshness.
Aladdin is filled with
energy, fun, heart, and humor. The Disney
magic is back! It’s a whole new world. One that needs to be seen on the big screen
and brought home to add to your movie collection. Far from a diamond in the rough, Aladdin is a 10.